Sunday, January 17, 2010

REGINALD ON WORRIES

REGINALD ON WORRIES

by Saki (H. H. Munro)


I have (said Reginald) an aunt who worries. She's not really an aunt--a sort of amateur one, and they aren't really worries. She is a social success, and has no domestic tragedies worth speaking of, so she adopts any decorative sorrows that are going, myself included. In that way she's the antithesis, or whatever you call it, to those sweet, uncomplaining women one knows who have seen trouble, and worn blinkers ever since. Of course, one just loves them for it, but I must confess they make me uncomfy; they remind one so of a duck that goes flapping about with forced cheerfulness long after its head's been cut off. Ducks have NO repose. Now, my aunt has a shade of hair that suits her, and a cook who quarrels with the other servants, which is always a hopeful sign, and a conscience that's absentee for about eleven months of the year, and only turns up at Lent to annoy her husband's people, who are considerably Lower than the angels, so to speak: with all these natural advantages--she says her particular tint of bronze is a natural advantage, and there can be no two opinions as to the advantage--of course she has to send out for her afflictions, like those restaurants where they haven't got a licence. The system has this advantage, that you can fit your unhappinesses in with your other engagements, whereas real worries have a way of arriving at meal-times, and when you're dressing, or other solemn moments. I knew a canary once that had been trying for months and years to hatch out a family, and everyone looked upon it as a blameless infatuation, like the sale of Delagoa Bay, which would be an annual loss to the Press agencies if it ever came to pass; and one day the bird really did bring it off, in the middle of family prayers. I say the middle, but it was also the end: you can't go on being thankful for daily bread when you are wondering what on earth very new canaries expect to be fed on.

At present she's rather in a Balkan state of mind about the treatment of the Jews in Roumania. Personally, I think the Jews have estimable qualities; they're so kind to their poor- -and to our rich. I daresay in Roumania the cost of living beyond one's income isn't so great. Over here the trouble is that so many people who have money to throw about seem to have such vague ideas where to throw it. That fund, for instance, to relieve the victims of sudden disasters--what is a sudden disaster? There's Marion Mulciber, who WOULD think she could play bridge, just as she would think she could ride down a hill on a bicycle; on that occasion she went to a hospital, now she's gone into a Sisterhood--lost all she had, you know, and gave the rest to Heaven. Still, you can't call it a sudden calamity; THAT occurred when poor dear Marion was born. The doctors said at the time that she couldn't live more than a fortnight, and she's been trying ever since to see if she could. Women are so opinionated.

And then there's the Education Question--not that I can see that there's anything to worry about in that direction. To my mind, education is an absurdly over-rated affair. At least, one never took it very seriously at school, where everything was done to bring it prominently under one's notice. Anything that is worth knowing one practically teaches oneself, and the rest obtrudes itself sooner or later. The reason one's elders know so comparatively little is because they have to unlearn so much that they acquired by way of education before we were born. Of course I'm a believer in Nature-study; as I said to Lady Beauwhistle, if you want a lesson in elaborate artificiality, just watch the studied unconcern of a Persian cat entering a crowded salon, and then go and practise it for a fortnight. The Beauwhistles weren't born in the Purple, you know, but they're getting there on the instalment system--so much down, and the rest when you feel like it. They have kind hearts, and they never forget birthdays. I forget what he was, something in the City, where the patriotism comes from; and she--oh, well, her frocks are built in Paris, but she wears them with a strong English accent. So public-spirited of her. I think she must have been very strictly brought up, she's so desperately anxious to do the wrong thing correctly. Not that it really matters nowadays, as I told her: I know some perfectly virtuous people who are received everywhere.

REGINALD ON THE ACADEMY

REGINALD ON THE ACADEMY

by Saki (H. H. Munro)


"One goes to the Academy in self-defence," said Reginald. "It is the one topic one has in common with the Country Cousins."

"It is almost a religious observance with them," said the Other. "A kind of artistic Mecca, and when the good ones die they go" -

"To the Chantrey Bequest. The mystery is what they find to talk about in the country."

"There are two subjects of conversation in the country: Servants, and Can fowls be made to pay? The first, I believe, is compulsory, the second optional."

"As a function," resumed Reginald, "the Academy is a failure."

"You think it would be tolerable without the pictures?"

"The pictures are all right, in their way; after all, one can always LOOK at them if one is bored with one's surroundings, or wants to avoid an imminent acquaintance."

"Even that doesn't always save one. There is the inevitable female whom you met once in Devonshire, or the Matoppo Hills, or somewhere, who charges up to you with the remark that it's funny how one always meets people one knows at the Academy. Personally, I DON'T think it funny."

"I suffered in that way just now," said Reginald plaintively, "from a woman whose word I had to take that she had met me last summer in Brittany."

"I hope you were not too brutal?"

"I merely told her with engaging simplicity that the art of life was the avoidance of the unattainable."

"Did she try and work it out on the back of her catalogue?"

"Not there and then. She murmured something about being 'so clever.' Fancy coming to the Academy to be clever!"

"To be clever in the afternoon argues that one is dining nowhere in the evening."

"Which reminds me that I can't remember whether I accepted an invitation from you to dine at Kettner's to-night."

"On the other hand, I can remember with startling distinctness not having asked you to."

"So much certainty is unbecoming in the young; so we'll consider that settled. What were you talking about? Oh, pictures. Personally, I rather like them; they are so refreshingly real and probable, they take one away from the unrealities of life."

"One likes to escape from oneself occasionally."

"That is the disadvantage of a portrait; as a rule, one's bitterest friends can find nothing more to ask than the faithful unlikeness that goes down to posterity as oneself. I hate posterity--it's so fond of having the last word. Of course, as regards portraits, there are exceptions."

"For instance?"

"To die before being painted by Sargent is to go to heaven prematurely."

"With the necessary care and impatience, you may avoid that catastrophe."

"If you're going to be rude," said Reginald, "I shall dine with you to-morrow night as well. The chief vice of the Academy," he continued, "is its nomenclature. Why, for instance, should an obvious trout-stream with a palpable rabbit sitting in the foreground be called 'an evening dream of unbeclouded peace,' or something of that sort?"

"You think," said the Other, "that a name should economise description rather than stimulate imagination?"

"Properly chosen, it should do both. There is my lady kitten at home, for instance; I've called it Derry."

"Suggests nothing to my imagination but protracted sieges and religious animosities. Of course, I don't know your kitten" -

"Oh, you're silly. It's a sweet name, and it answers to it-- when it wants to. Then, if there are any unseemly noises in the night, they can be explained succinctly: Derry and Toms."

"You might almost charge for the advertisement. But as applied to pictures, don't you think your system would be too subtle, say, for the Country Cousins?"

"Every reformation must have its victims. You can't expect the fatted calf to share the enthusiasm of the angels over the prodigal's return. Another darling weakness of the Academy is that none of its luminaries must 'arrive' in a hurry. You can see them coming for years, like a Balkan trouble or a street improvement, and by the time they have painted a thousand or so square yards of canvas, their work begins to be recognised."

"Someone who Must Not be Contradicted said that a man must be a success by the time he's thirty, or never."

"To have reached thirty," said Reginald, "is to have failed in life."

REGINALD ON TARIFFS

REGINALD ON TARIFFS

by Saki (H. H. Munro)


I'm not going to discuss the Fiscal Question (said Reginald); I wish to be original. At the same time, I think one suffers more than one realises from the system of free imports. I should like, for instance, a really prohibitive duty put upon the partner who declares on a weak red suit and hopes for the best. Even a free outlet for compressed verbiage doesn't balance matters. And I think there should be a sort of bounty-fed export (is that the right expression?) of the people who impress on you that you ought to take life seriously. There are only two classes that really can't help taking life seriously--schoolgirls of thirteen and Hohenzollerns; they might be exempt. Albanians come under another heading; they take life whenever they get the opportunity. The one Albanian that I was ever on speaking terms with was rather a decadent example. He was a Christian and a grocer, and I don't fancy he had ever killed anybody. I didn't like to question him on the subject--that showed my delicacy. Mrs. Nicorax says I have no delicacy; she hasn't forgiven me about the mice. You see, when I was staying down there, a mouse used to cake-walk about my room half the night, and none of their silly patent traps seemed to take its fancy as a bijou residence, so I determined to appeal to the better side of it--which with mice is the inside. So I called it Percy, and put little delicacies down near its hole every night, and that kept it quiet while I read Max Nordau's Degeneration and other reproving literature, and went to sleep. And now she says there is a whole colony of mice in that room.

That isn't where the indelicacy comes in. She went out riding with me, which was entirely her own suggestion, and as we were coming home through some meadows she made a quite unnecessary attempt to see if her pony would jump a rather messy sort of brook that was there. It wouldn't. It went with her as far as the water's edge, and from that point Mrs. Nicorax went on alone. Of course I had to fish her out from the bank, and my riding-breeches are not cut with a view to salmon-fishing--it's rather an art even to ride in them. Her habit-skirt was one of those open questions that need not be adhered to in emergencies, and on this occasion it remained behind in some water-weeds. She wanted me to fish about for that too, but I felt I had done enough Pharaoh's daughter business for an October afternoon, and I was beginning to want my tea. So I bundled her up on to her pony, and gave her a lead towards home as fast as I cared to go. What with the wet and the unusual responsibility, her abridged costume did not stand the pace particularly well, and she got quite querulous when I shouted back that I had no pins with me--and no string. Some women expect so much from a fellow. When we got into the drive she wanted to go up the back way to the stables, but the ponies KNOW they always get sugar at the front door, and I never attempt to hold a pulling pony; as for Mrs. Nicorax, it took her all she knew to keep a firm hand on her seceding garments, which, as her maid remarked afterwards, were more tout than ensemble. Of course nearly the whole house-party were out on the lawn watching the sunset--the only day this month that it's occurred to the sun to show itself, as Mrs. Nic. viciously observed--and I shall never forget the expression on her husband's face as we pulled up. "My darling, this is too much!" was his first spoken comment; taking into consideration the state of her toilet, it was the most brilliant thing I had ever heard him say, and I went into the library to be alone and scream. Mrs. Nicorax says I have no delicacy.

Talking about tariffs, the lift-boy, who reads extensively between the landings, says it won't do to tax raw commodities. What, exactly, is a raw commodity? Mrs. Van Challaby says men are raw commodities till you marry them; after they've struck Mrs. Van C., I can fancy they pretty soon become a finished article. Certainly she's had a good deal of experience to support her opinion. She lost one husband in a railway accident, and mislaid another in the Divorce Court, and the current one has just got himself squeezed in a Beef Trust. "What was he doing in a Beef Trust, anyway?" she asked tearfully, and I suggested that perhaps he had an unhappy home. I only said it for the sake of making conversation; which it did. Mrs. Van Challaby said things about me which in her calmer moments she would have hesitated to spell. It's a pity people can't discuss fiscal matters without getting wild. However, she wrote next day to ask if I could get her a Yorkshire terrier of the size and shade that's being worn now, and that's as near as a woman can be expected to get to owning herself in the wrong. And she will tie a salmon-pink bow to its collar, and call it "Reggie," and take it with her everywhere--like poor Miriam Klopstock, who WOULD take her Chow with her to the bathroom, and while she was bathing it was playing at she-bears with her garments. Miriam is always late for breakfast, and she wasn't really missed till the middle of lunch.

However, I'm not going any further into the Fiscal Question. Only I should like to be protected from the partner with a weak red tendency.

REGINALD ON HOUSE-PARTIES

REGINALD ON HOUSE-PARTIES

by Saki (H. H. Munro)


The drawback is, one never really KNOWS one's hosts and hostesses. One gets to know their fox-terriers and their chrysanthemums, and whether the story about the go-cart can be turned loose in the drawing-room, or must be told privately to each member of the party, for fear of shocking public opinion; but one's host and hostess are a sort of human hinterland that one never has the time to explore.

There was a fellow I stayed with once in Warwickshire who farmed his own land, but was otherwise quite steady. Should never have suspected him of having a soul, yet not very long afterwards he eloped with a lion-tamer's widow and set up as a golf-instructor somewhere on the Persian Gulf; dreadfully immoral, of course, because he was only an indifferent player, but still, it showed imagination. His wife was really to be pitied, because he had been the only person in the house who understood how to manage the cook's temper, and now she has to put "D.V." on her dinner invitations. Still, that's better than a domestic scandal; a woman who leaves her cook never wholly recovers her position in Society.

I suppose the same thing holds good with the hosts; they seldom have more than a superficial acquaintance with their guests, and so often just when they do get to know you a bit better, they leave off knowing you altogether. There was RATHER a breath of winter in the air when I left those Dorset-shire people. You see, they had asked me down to shoot, and I'm not particularly immense at that sort of thing. There's such a deadly sameness about partridges; when you've missed one, you've missed the lot--at least, that's been my experience. And they tried to rag me in the smoking- room about not being able to hit a bird at five yards, a sort of bovine ragging that suggested cows buzzing round a gadfly and thinking they were teasing it. So I got up the next morning at early dawn--I know it was dawn, because there were lark-noises in the sky, and the grass looked as if it had been left out all night--and hunted up the most conspicuous thing in the bird line that I could find, and measured the distance, as nearly as it would let me, and shot away all I knew. They said afterwards that it was a tame bird; that's simply SILLY, because it was awfully wild at the first few shots. Afterwards it quieted down a bit, and when its legs had stopped waving farewells to the landscape I got a gardener-boy to drag it into the hall, where everybody must see it on their way to the breakfast-room. I breakfasted upstairs myself. I gathered afterwards that the meal was tinged with a very unchristian spirit. I suppose it's unlucky to bring peacock's feathers into a house; anyway, there was a blue-pencilly look in my hostess's eye when I took my departure.

Some hostesses, of course, will forgive anything, even unto pavonicide (is there such a word?), as long as one is nice- looking and sufficiently unusual to counterbalance some of the others; and there ARE others--the girl, for instance, who reads Meredith, and appears at meals with unnatural punctuality in a frock that's made at home and repented at leisure. She eventually finds her way to India and gets married, and comes home to admire the Royal Academy, and to imagine that an indifferent prawn curry is for ever an effective substitute for all that we have been taught to believe is luncheon. It's then that she is really dangerous; but at her worst she is never quite so bad as the woman who fires Exchange and Mart questions at you without the least provocation. Imagine the other day, just when I was doing my best to understand half the things I was saying, being asked by one of those seekers after country home truths how many fowls she could keep in a run ten feet by six, or whatever it was! I told her whole crowds, as long as she kept the door shut, and the idea didn't seem to have struck her before; at least, she brooded over it for the rest of dinner.

Of course, as I say, one never really KNOWS one's ground, and one may make mistakes occasionally. But then one's mistakes sometimes turn out assets in the long-run: if we had never bungled away our American colonies we might never have had the boy from the States to teach us how to wear our hair and cut our clothes, and we must get our ideas from somewhere, I suppose. Even the Hooligan was probably invented in China centuries before we thought of him. England must wake up, as the Duke of Devonshire said the other day; wasn't it? Oh, well, it was someone else. Not that I ever indulge in despair about the Future; there always have been men who have gone about despairing of the Future, and when the Future arrives it says nice, superior things about their having acted according to their lights. It is dreadful to think that other people's grandchildren may one day rise up and call one amiable.

There are moments when one sympathises with Herod.

REGINALD ON CHRISTMAS PRESENTS

REGINALD ON CHRISTMAS PRESENTS

by Saki (H. H. Munro)


I wish it to be distinctly understood (said Reginald) that I don't want a "George, Prince of Wales" Prayer-book as a Christmas present. The fact cannot be too widely known.

There ought (he continued) to be technical education classes on the science of present-giving. No one seems to have the faintest notion of what anyone else wants, and the prevalent ideas on the subject are not creditable to a civilised community.

There is, for instance, the female relative in the country who "knows a tie is always useful," and sends you some spotted horror that you could only wear in secret or in Tottenham Court Road. It MIGHT have been useful had she kept it to tie up currant bushes with, when it would have served the double purpose of supporting the branches and frightening away the birds--for it is an admitted fact that the ordinary tomtit of commerce has a sounder aesthetic taste than the average female relative in the country.

Then there are aunts. They are always a difficult class to deal with in the matter of presents. The trouble is that one never catches them really young enough. By the time one has educated them to an appreciation of the fact that one does not wear red woollen mittens in the West End, they die, or quarrel with the family, or do something equally inconsiderate. That is why the supply of trained aunts is always so precarious.

There is my Aunt Agatha, par exemple, who sent me a pair of gloves last Christmas, and even got so far as to choose a kind that was being worn and had the correct number of buttons. But--THEY WERE NINES! I sent them to a boy whom I hated intimately: he didn't wear them, of course, but he could have--that was where the bitterness of death came in. It was nearly as consoling as sending white flowers to his funeral. Of course I wrote and told my aunt that they were the one thing that had been wanting to make existence blossom like a rose; I am afraid she thought me frivolous--she comes from the North, where they live in the fear of Heaven and the Earl of Durham. (Reginald affects an exhaustive knowledge of things political, which furnishes an excellent excuse for not discussing them.) Aunts with a dash of foreign extraction in them are the most satisfactory in the way of understanding these things; but if you can't choose your aunt, it is wisest in the long-run to choose the present and send her the bill.

Even friends of one's own set, who might be expected to know better, have curious delusions on the subject. I am NOT collecting copies of the cheaper editions of Omar Khayyam. I gave the last four that I received to the lift-boy, and I like to think of him reading them, with FitzGerald's notes, to his aged mother. Lift-boys always have aged mothers; shows such nice feeling on their part, I think.

Personally, I can't see where the difficulty in choosing suitable presents lies. No boy who had brought himself up properly could fail to appreciate one of those decorative bottles of liqueurs that are so reverently staged in Morel's window--and it wouldn't in the least matter if one did get duplicates. And there would always be the supreme moment of dreadful uncertainty whether it was creme de menthe or Chartreuse--like the expectant thrill on seeing your partner's hand turned up at bridge. People may say what they like about the decay of Christianity; the religious system that produced green Chartreuse can never really die.

And then, of course, there are liqueur glasses, and crystallised fruits, and tapestry curtains, and heaps of other necessaries of life that make really sensible presents- -not to speak of luxuries, such as having one's bills paid, or getting something quite sweet in the way of jewellery. Unlike the alleged Good Woman of the Bible, I'm not above rubies. When found, by the way, she must have been rather a problem at Christmas-time; nothing short of a blank cheque would have fitted the situation. Perhaps it's as well that she's died out.

The great charm about me (concluded Reginald) is that I am so easily pleased.

But I draw the line at a "Prince of Wales" Prayer-book.

REGINALD ON BESETTING SINS - THE WOMAN WHO TOLD THE TRUTH

REGINALD ON BESETTING SINS - THE WOMAN WHO TOLD THE TRUTH

by Saki (H. H. Munro)


There was once (said Reginald) a woman who told the truth. Not all at once, of course, but the habit grew upon her gradually, like lichen on an apparently healthy tree. She had no children--otherwise it might have been different. It began with little things, for no particular reason except that her life was a rather empty one, and it is so easy to slip into the habit of telling the truth in little matters. And then it became difficult to draw the line at more important things, until at last she took to telling the truth about her age; she said she was forty-two and five months--by that time, you see, she was veracious even to months. It may have been pleasing to the angels, but her elder sister was not gratified. On the Woman's birthday, instead of the opera-tickets which she had hoped for, her sister gave her a view of Jerusalem from the Mount of Olives, which is not quite the same thing. The revenge of an elder sister may be long in coming, but, like a South-Eastern express, it arrives in its own good time.

The friends of the Woman tried to dissuade her from over- indulgence in the practice, but she said she was wedded to the truth; whereupon it was remarked that it was scarcely logical to be so much together in public. (No really provident woman lunches regularly with her husband if she wishes to burst upon him as a revelation at dinner. He must have time to forget; an afternoon is not enough.) And after a while her friends began to thin out in patches. Her passion for the truth was not compatible with a large visiting-list. For instance, she told Miriam Klopstock EXACTLY how she looked at the Ilexes' ball. Certainly Miriam had asked for her candid opinion, but the Woman prayed in church every Sunday for peace in our time, and it was not consistent.

It was unfortunate, everyone agreed, that she had no family; with a child or two in the house, there is an unconscious check upon too free an indulgence in the truth. Children are given us to discourage our better emotions. That is why the stage, with all its efforts, can never be as artificial as life; even in an Ibsen drama one must reveal to the audience things that one would suppress before the children or servants.

Fate may have ordained the truth-telling from the commencement and should justly bear some of the blame; but in having no children the Woman was guilty, at least, of contributory negligence.

Little by little she felt she was becoming a slave to what had once been merely an idle propensity; and one day she knew. Every woman tells ninety per cent, of the truth to her dressmaker; the other ten per cent, is the irreducible minimum of deception beyond which no self-respecting client trespasses. Madame Draga's establishment was a meeting- ground for naked truths and overdressed fictions, and it was here, the Woman felt, that she might make a final effort to recall the artless mendacity of past days. Madame herself was in an inspiring mood, with the air of a sphinx who knew all things and preferred to forget most of them. As a War Minister she might have been celebrated, but she was content to be merely rich.

"If I take it in here, and--Miss Howard, one moment, if you please--and there, and round like this--so--I really think you will find it quite easy."

The Woman hesitated; it seemed to require such a small effort to simply acquiesce in Madame's views. But habit had become too strong. "I'm afraid," she faltered, "it's just the least little bit in the world too" -

And by that least little bit she measured the deeps and eternities of her thraldom to fact. Madame was not best pleased at being contradicted on a professional matter, and when Madame lost her temper you usually found it afterwards in the bill.

And at last the dreadful thing came, as the Woman had foreseen all along that it must; it was one of those paltry little truths with which she harried her waking hours. On a raw Wednesday morning, in a few ill-chosen words, she told the cook that she drank. She remembered the scene afterwards as vividly as though it had been painted in her mind by Abbey. The cook was a good cook, as cooks go; and as cooks go she went.

Miriam Klopstock came to lunch the next day. Women and elephants never forget an injury.

REGINALD IN RUSSIA

REGINALD IN RUSSIA

by Saki (H. H. Munro)


Reginald sat in a corner of the Princess's salon and tried to forgive the furniture, which started out with an obvious intention of being Louis Quinze, but relapsed at frequent intervals into Wilhelm II.

He classified the Princess with that distinct type of woman that looks as if it habitually went out to feed hens in the rain.

Her name was Olga; she kept what she hoped and believed to be a fox-terrier, and professed what she thought were Socialist opinions. It is not necessary to be called Olga if you are a Russian Princess; in fact, Reginald knew quite a number who were called Vera; but the fox-terrier and the Socialism are essential.

"The Countess Lomshen keeps a bull-dog," said the Princess suddenly. "In England is it more chic to have a bull-dog than a fox-terrier?"

Reginald threw his mind back over the canine fashions of the last ten years and gave an evasive answer.

"Do you think her handsome, the Countess Lomshen?" asked the Princess.

Reginald thought the Countess's complexion suggested an exclusive diet of macaroons and pale sherry. He said so.

"But that cannot be possible," said the Princess triumphantly; "I've seen her eating fish-soup at Donon's."

The Princess always defended a friend's complexion if it was really bad. With her, as with a great many of her sex, charity began at homeliness and did not generally progress much farther.

Reginald withdrew his macaroon and sherry theory, and became interested in a case of miniatures.

"That?" said the Princess; "that is the old Princess Lorikoff. She lived in Millionaya Street, near the Winter Palace, and was one of the Court ladies of the old Russian school. Her knowledge of people and events was extremely limited; but she used to patronise every one who came in contact with her. There was a story that when she died and left the Millionaya for Heaven she addressed St. Peter in her formal staccato French: 'Je suis la Princesse Lor-i-koff. Il me donne grand plaisir a faire votre connaissance. Je vous en prie me presenter au Bon Dieu.' St. Peter made the desired introduction, and the Princess addressed le Bon Dieu: 'Je suis la Princesse Lor- i-koff. Il me donne grand plaisir a faire votre connaissance. On a souvent parle de vous a l'eglise de la rue Million.'"

"Only the old and the clergy of Established churches know how to be flippant gracefully," commented Reginald; "which reminds me that in the Anglican Church in a certain foreign capital, which shall be nameless, I was present the other day when one of the junior chaplains was preaching in aid of distressed somethings or other, and he brought a really eloquent passage to a close with the remark, 'The tears of the afflicted, to what shall I liken them--to diamonds?' The other junior chaplain, who had been dozing out of professional jealousy, awoke with a start and asked hurriedly, 'Shall I play to diamonds, partner?' It didn't improve matters when the senior chaplain remarked dreamily but with painful distinctness, 'Double diamonds.' Every one looked at the preacher, half expecting him to redouble, but he contented himself with scoring what points he could under the circumstances."

"You English are always so frivolous," said the Princess. "In Russia we have too many troubles to permit of our being lighthearted."

Reginald gave a delicate shiver, such as an Italian greyhound might give in contemplating the approach of an ice age of which he personally disapproved, and resigned himself to the inevitable political discussion.

"Nothing that you hear about us in England is true," was the Princess's hopeful beginning.

"I always refused to learn Russian geography at school," observed Reginald; "I was certain some of the names must be wrong."

"Everything is wrong with our system of government," continued the Princess placidly. "The Bureaucrats think only of their pockets, and the people are exploited and plundered in every direction, and everything is mismanaged."

"With us," said Reginald, "a Cabinet usually gets the credit of being depraved and worthless beyond the bounds of human conception by the time it has been in office about four years."

"But if it is a bad Government you can turn it out at the elections," argued the Princess.

"As far as I remember, we generally do," said Reginald.

"But here it is dreadful, every one goes to such extremes. In England you never go to extremes."

"We go to the Albert Hall," explained Reginald.

"There is always a see-saw with us between repression and violence," continued the Princess; "and the pity of it is the people are really not in the least inclined to be anything but peaceable. Nowhere will you find people more good-natured, or family circles where there is more affection."

"There I agree with you," said Reginald. "I know a boy who lives somewhere on the French Quay who is a case in point. His hair curls naturally, especially on Sundays, and he plays bridge well, even for a Russian, which is saying much. I don't think he has any other accomplishments, but his family affection is really of a very high order. When his maternal grandmother died he didn't go as far as to give up bridge altogether, but he declared on nothing but black suits for the next three months. That, I think, was really beautiful."

The Princess was not impressed.

"I think you must be very self-indulgent and live only for amusement," she said, "a life of pleasure-seeking and card-playing and dissipation brings only dissatisfaction. You will find that out some day."

"Oh, I know it turns out that way sometimes," assented Reginald. "Forbidden fizz is often the sweetest."

But the remark was wasted on the Princess, who preferred champagne that had at least a suggestion of dissolved barley-sugar.

"I hope you will come and see me again," she said, in a tone that prevented the hope from becoming too infectious; adding as a happy afterthought, "you must come to stay with us in the country."

Her particular part of the country was a few hundred versts the other side of Tamboff, with some fifteen miles of agrarian disturbance between her and the nearest neighbour. Reginald felt that there is some privacy which should be sacred from intrusion.

REGINALD AT THE THEATRE

REGINALD AT THE THEATRE

by Saki (H. H. Munro)


"After all," said the Duchess vaguely, "there are certain things you can't get away from. Right and wrong, good conduct and moral rectitude, have certain well-defined limits."

"So, for the matter of that," replied Reginald, "has the Russian Empire. The trouble is that the limits are not always in the same place."

Reginald and the Duchess regarded each other with mutual distrust, tempered by a scientific interest. Reginald considered that the Duchess had much to learn; in particular, not to hurry out of the Carlton as though afraid of losing one's last 'bus. A woman, he said, who is careless of disappearances is capable of leaving town before Good-wood, and dying at the wrong moment of an unfashionable disease.

The Duchess thought that Reginald did not exceed the ethical standard which circumstances demanded.

"Of course," she resumed combatively, "it's the prevailing fashion to believe in perpetual change and mutability, and all that sort of thing, and to say we are all merely an improved form of primeval ape--of course you subscribe to that doctrine?"

"I think it decidedly premature; in most people I know the process is far from complete."

"And equally of course you are quite irreligious?"

"Oh, by no means. The fashion just now is a Roman Catholic frame of mind with an Agnostic conscience: you get the mediaeval picturesqueness of the one with the modern conveniences of the other."

The Duchess suppressed a sniff. She was one of those people who regard the Church of England with patronising affection, as if it were something that had grown up in their kitchen garden.

"But there are other things," she continued, "which I suppose are to a certain extent sacred even to you. Patriotism, for instance, and Empire, and Imperial responsibility, and blood- is-thicker-than-water, and all that sort of thing."

Reginald waited for a couple of minutes before replying, while the Lord of Rimini temporarily monopolised the acoustic possibilities of the theatre.

"That is the worst of a tragedy," he observed, "one can't always hear oneself talk. Of course I accept the Imperial idea and the responsibility. After all, I would just as soon think in Continents as anywhere else. And some day, when the season is over and we have the time, you shall explain to me the exact blood-brotherhood and all that sort of thing that exists between a French Canadian and a mild Hindoo and a Yorkshireman, for instance."

"Oh, well, 'dominion over palm and pine,' you know," quoted the Duchess hopefully; "of course we mustn't forget that we're all part of the great Anglo-Saxon Empire."

"Which for its part is rapidly becoming a suburb of Jerusalem. A very pleasant suburb, I admit, and quite a charming Jerusalem. But still a suburb."

"Really, to be told one's living in a suburb when one is conscious of spreading the benefits of civilisation all over the world! Philanthropy--I suppose you will say THAT is a comfortable delusion; and yet even you must admit that whenever want or misery or starvation is known to exist, however distant or difficult of access, we instantly organise relief on the most generous scale, and distribute it, if need be, to the uttermost ends of the earth."

The Duchess paused, with a sense of ultimate triumph. She had made the same observation at a drawing-room meeting, and it had been extremely well received.

"I wonder," said Reginald, "if you have ever walked down the Embankment on a winter night?"

"Gracious, no, child! Why do you ask?"

"I didn't; I only wondered. And even your philanthropy, practised in a world where everything is based on competition, must have a debit as well as a credit account. The young ravens cry for food."

"And are fed."

"Exactly. Which presupposes that something else is fed upon."

"Oh, you're simply exasperating. You've been reading Nietzsche till you haven't got any sense of moral proportion left. May I ask if you are governed by ANY laws of conduct whatever?"

"There are certain fixed rules that one observes for one's own comfort. For instance, never be flippantly rude to any inoffensive grey-bearded stranger that you may meet in pine forests or hotel smoking-rooms on the Continent. It always turns out to be the King of Sweden."

"The restraint must be dreadfully irksome to you. When I was younger, boys of your age used to be nice and innocent."

"Now we are only nice. One must specialise in these days. Which reminds me of the man I read of in some sacred book who was given a choice of what he most desired. And because he didn't ask for titles and honours and dignities, but only for immense wealth, these other things came to him also."

"I am sure you didn't read about him in any sacred book."

"Yes; I fancy you will find him in Debrett."

REGINALD AT THE CARLTON

REGINALD AT THE CARLTON

by Saki (H. H. Munro)


"A most variable climate," said the Duchess; "and how unfortunate that we should have had that very cold weather at a time when coal was so dear! So distressing for the poor."

"Someone has observed that Providence is always on the side of the big dividends," remarked Reginald.

The Duchess ate an anchovy in a shocked manner; she was sufficiently old-fashioned to dislike irreverence towards dividends.

Reginald had left the selection of a feeding-ground to her womanly intuition, but he chose the wine himself, knowing that womanly intuition stops short at claret. A woman will cheerfully choose husbands for her less attractive friends, or take sides in a political controversy without the least knowledge of the issues involved--but no woman ever cheerfully chose a claret.

"Hors d'oeuvres have always a pathetic interest for me," said Reginald: "they remind me of one's childhood that one goes through, wondering what the next course is going to be like-- and during the rest of the menu one wishes one had eaten more of the hors d'oeuvres. Don't you love watching the different ways people have of entering a restaurant? There is the woman who races in as though her whole scheme of life were held together by a one-pin despotism which might abdicate its functions at any moment; it's really a relief to see her reach her chair in safety. Then there are the people who troop in with an-unpleasant-duty-to-perform air, as if they were angels of Death entering a plague city. You see that type of Briton very much in hotels abroad. And nowadays there are always the Johannesbourgeois, who bring a Cape-to- Cairo atmosphere with them--what may be called the Rand Manner, I suppose."

"Talking about hotels abroad," said the Duchess, "I am preparing notes for a lecture at the Club on the educational effects of modern travel, dealing chiefly with the moral side of the question. I was talking to Lady Beauwhistle's aunt the other day--she's just come back from Paris, you know. Such a sweet woman" -

"And so silly. In these days of the over-education of women she's quite refreshing. They say some people went through the siege of Paris without knowing that France and Germany were at war; but the Beauwhistle aunt is credited with having passed the whole winter in Paris under the impression that the Humberts were a kind of bicycle . . . Isn't there a bishop or somebody who believes we shall meet all the animals we have known on earth in another world? How frightfully embarrassing to meet a whole shoal of whitebait you had last known at Prince's! I'm sure in my nervousness I should talk of nothing but lemons. Still, I daresay they would be quite as offended if one hadn't eaten them. I know if I were served up at a cannibal feast I should be dreadfully annoyed if anyone found fault with me for not being tender enough, or having been kept too long."

"My idea about the lecture," resumed the Duchess hurriedly, "is to inquire whether promiscuous Continental travel doesn't tend to weaken the moral fibre of the social conscience. There are people one knows, quite nice people when they are in England, who are so DIFFERENT when they are anywhere the other side of the Channel."

"The people with what I call Tauchnitz morals," observed Reginald. "On the whole, I think they get the best of two very desirable worlds. And, after all, they charge so much for excess luggage on some of those foreign lines that it's really an economy to leave one's reputation behind one occasionally."

"A scandal, my dear Reginald, is as much to be avoided at Monaco or any of those places as at Exeter, let us say."

"Scandal, my dear Irene--I may call you Irene, mayn't I?"

"I don't know that you have known me long enough for that."

"I've known you longer than your god-parents had when they took the liberty of calling you that name. Scandal is merely the compassionate allowance which the gay make to the humdrum. Think how many blameless lives are brightened by the blazing indiscretions of other people. Tell me, who is the woman with the old lace at the table on our left? Oh, THAT doesn't matter; it's quite the thing nowadays to stare at people as if they were yearlings at Tattersall's."

"Mrs. Spelvexit? Quite a charming woman; separated from her husband" -

"Incompatibility of income?"

"Oh, nothing of that sort. By miles of frozen ocean, I was going to say. He explores ice-floes and studies the movements of herrings, and has written a most interesting book on the home-life of the Esquimaux; but naturally he has very little home-life of his own."

"A husband who comes home with the Gulf Stream WOULD be rather a tied-up asset."

"His wife is exceedingly sensible about it. She collects postage-stamps. Such a resource. Those people with her are the Whimples, very old acquaintances of mine; they're always having trouble, poor things."

"Trouble is not one of those fancies you can take up and drop at any moment; it's like a grouse-moor or the opium-habit-- once you start it you've got to keep it up."

"Their eldest son was such a disappointment to them; they wanted him to be a linguist, and spent no end of money on having him taught to speak--oh, dozens of languages!--and then he became a Trappist monk. And the youngest, who was intended for the American marriage market, has developed political tendencies, and writes pamphlets about the housing of the poor. Of course it's a most important question, and I devote a good deal of time to it myself in the mornings; but, as Laura Whimple says, it's as well to have an establishment of one's own before agitating about other people's. She feels it very keenly, but she always maintains a cheerful appetite, which I think is so unselfish of her."

"There are different ways of taking disappointment. There was a girl I knew who nursed a wealthy uncle through a long illness, borne by her with Christian fortitude, and then he died and left his money to a swine-fever hospital. She found she'd about cleared stock in fortitude by that time, and now she gives drawing-room recitations. That's what I call being vindictive."

"Life is full of its disappointments," observed the Duchess, "and I suppose the art of being happy is to disguise them as illusions. But that, my dear Reginald, becomes more difficult as one grows older."

"I think it's more generally practised than you imagine. The young have aspirations that never come to pass, the old have reminiscences of what never happened. It's only the middle- aged who are really conscious of their limitations--that is why one should be so patient with them. But one never is."

"After all," said the Duchess, "the disillusions of life may depend on our way of assessing it. In the minds of those who come after us we may be remembered for qualities and successes which we quite left out of the reckoning."

"It's not always safe to depend on the commemorative tendencies of those who come after us. There may have been disillusionments in the lives of the mediaeval saints, but they would scarcely have been better pleased if they could have foreseen that their names would be associated nowadays chiefly with racehorses and the cheaper clarets. And now, if you can tear yourself away from the salted almonds, we'll go and have coffee under the palms that are so necessary for our discomfort."

REGINALD

REGINALD

by Saki (H. H. Munro)


I did it--I who should have known better. I persuaded Reginald to go to the McKillops' garden-party against his will.

We all make mistakes occasionally.

"They know you're here, and they'll think it so funny if you don't go. And I want particularly to be in with Mrs. McKillop just now."

"I know, you want one of her smoke Persian kittens as a prospective wife for Wumples--or a husband, is it?" (Reginald has a magnificent scorn for details, other than sartorial.) "And I am expected to undergo social martyrdom to suit the connubial exigencies" -

"Reginald! It's nothing of the kind, only I'm sure Mrs. McKillop Would be pleased if I brought you. Young men of your brilliant attractions are rather at a premium at her garden-parties."

"Should be at a premium in heaven," remarked Reginald complacently.

"There will be very few of you there, if that is what you mean. But seriously, there won't be any great strain upon your powers of endurance; I promise you that you shan't have to play croquet, or talk to the Archdeacon's wife, or do anything that is likely to bring on physical prostration. You can just wear your sweetest clothes and moderately amiable expression, and eat chocolate-creams with the appetite of a blase parrot. Nothing more is demanded of you."

Reginald shut his eyes. "There will be the exhaustingly up- to-date young women who will ask me if I have seen San Toy: a less progressive grade who will yearn to hear about the Diamond Jubilee--the historic event, not the horse. With a little encouragement, they will inquire if I saw the Allies march into Paris. Why are women so fond of raking up the past? They're as bad as tailors, who invariably remember what you owe them for a suit long after you've ceased to wear it."

"I'll order lunch for one o'clock; that will give you two and a half hours to dress in."

Reginald puckered his brow into a tortured frown, and I knew that my point was gained. He was debating what tie would go with which waistcoat.

Even then I had my misgivings.

* * *

During the drive to the McKillops' Reginald was possessed with a great peace, which was not wholly to be accounted for by the fact that he had inveigled his feet into shoes a size too small for them. I misgave more than ever, and having once launched Reginald on to the McKillops' lawn, I established him near a seductive dish of marrons glaces, and as far from the Archdeacon's wife as possible; as I drifted away to a diplomatic distance I heard with painful distinctness the eldest Mawkby girl asking him if he had seen San Toy.

It must have been ten minutes later, not more, and I had been having QUITE an enjoyable chat with my hostess, and had promised to lend her The Eternal City and my recipe for rabbit mayonnaise, and was just about to offer a kind home for her third Persian kitten, when I perceived, out of the corner of my eye, that Reginald was not where I had left him, and that the marrons glaces were untasted. At the same moment I became aware that old Colonel Mendoza was essaying to tell his classic story of how he introduced golf into India, and that Reginald was in dangerous proximity. There are occasions when Reginald is caviare to the Colonel.

"When I was at Poona in '76" -

"My dear Colonel," purred Reginald, "fancy admitting such a thing! Such a give-away for one's age! I wouldn't admit being on this planet in '76." (Reginald in his wildest lapses into veracity never admits to being more than twenty- two.)

The Colonel went to the colour of a fig that has attained great ripeness, and Reginald, ignoring my efforts to intercept him, glided away to another part of the lawn. I found him a few minutes later happily engaged in teaching the youngest Rampage boy the approved theory of mixing absinthe, within full earshot of his mother. Mrs. Rampage occupies a prominent place in local Temperance movements.

As soon as I had broken up this unpromising tete-a-tete and settled Reginald where he could watch the croquet players losing their tempers, I wandered off to find my hostess and renew the kitten negotiations at the point where they had been interrupted. I did not succeed in running her down at once, and eventually it was Mrs. McKillop who sought me out, and her conversation was not of kittens.

"Your cousin is discussing Zaza with the Archdeacon's wife; at least, he is discussing, she is ordering her carriage."

She spoke in the dry, staccato tone of one who repeats a French exercise, and I knew that as far as Millie McKillop was concerned, Wumples was devoted to a lifelong celibacy.

"If you don't mind," I said hurriedly, "I think we'd like our carriage ordered too," and I made a forced march in the direction of the croquet-ground.

I found everyone talking nervously and feverishly of the weather and the war in South Africa, except Reginald, who was reclining in a comfortable chair with the dreamy, far-away look that a volcano might wear just after it had desolated entire villages. The Archdeacon's wife was buttoning up her gloves with a concentrated deliberation that was fearful to behold. I shall have to treble my subscription to her Cheerful Sunday Evenings Fund before I dare set foot in her house again.

At that particular moment the croquet players finished their game, which had been going on without a symptom of finality during the whole afternoon. Why, I ask, should it have stopped precisely when a counter-attraction was so necessary? Everyone seemed to drift towards the area of disturbance, of which the chairs of the Archdeacon's wife and Reginald formed the storm-centre. Conversation flagged, and there settled upon the company that expectant hush that precedes the dawn-- when your neighbours don't happen to keep poultry.

"What did the Caspian Sea?" asked Reginald, with appalling suddenness.

There were symptoms of a stampede. The Archdeacon's wife looked at me. Kipling or someone has described somewhere the look a foundered camel gives when the caravan moves on and leaves it to its fate. The peptonised reproach in the good lady's eyes brought the passage vividly to my mind.

I played my last card.

"Reginald, it's getting late, and a sea-mist is coming on." I knew that the elaborate curl over his right eyebrow was not guaranteed to survive a sea-mist.

"Never, never again, will I take you to a garden-party. Never . . . You behaved abominably . . . What did the Caspian see?"

A shade of genuine regret for misused opportunities passed over Reginald's face.

"After all," he said, "I believe an apricot tie would have gone better with the lilac waistcoat."

QUAIL SEED

QUAIL SEED

by Saki (H. H. Munro)


"The outlook is not encouraging for us smaller businesses," said Mr. Scarrick to the artist and his sister, who had taken rooms over his suburban grocery store. "These big concerns are offering all sorts of attractions to the shopping public which we couldn't afford to imitate, even on a small scale--reading-rooms and play-rooms and gramophones and Heaven knows what. People don't care to buy half a pound of sugar nowadays unless they can listen to Harry Lauder and have the latest Australian cricket scores ticked off before their eyes. With the big Christmas stock we've got in we ought to keep half a dozen assistants hard at work, but as it is my nephew Jimmy and myself can pretty well attend to it ourselves. It's a nice stock of goods, too, if I could only run it off in a few weeks time, but there's no chance of that--not unless the London line was to get snowed up for a fortnight before Christmas. I did have a sort of idea of engaging Miss Luffcombe to give recitations during afternoons; she made a great hit at the Post Office entertainment with her rendering of 'Little Beatrice's Resolve'."

"Anything less likely to make your shop a fashionable shopping centre I can't imagine," said the artist, with a very genuine shudder; "if I were trying to decide between the merits of Carlsbad plums and confected figs as a winter dessert it would infuriate me to have my train of thought entangled with little Beatrice's resolve to be an Angel of Light or a girl scout. No," he continued, "the desire to get something thrown in for nothing is a ruling passion with the feminine shopper, but you can't afford to pander effectively to it. Why not appeal to another instinct; which dominates not only the woman shopper but the male shopper--in fact, the entire human race?"

"What is that instinct, sir?" said the grocer.

* * *

Mrs. Greyes and Miss Fritten had missed the 2.18 to Town, and as there was not another train till 3.12 they thought that they might as well make their grocery purchases at Scarrick's. It would not be sensational, they agreed, but it would still be shopping.

For some minutes they had the shop almost to themselves, as far as customers were concerned, but while they were debating the respective virtues and blemishes of two competing brands of anchovy paste they were startled by an order, given across the counter, for six pomegranates and a packet of quail seed. Neither commodity was in general demand in that neighbourhood. Equally unusual was the style and appearance of the customer; about sixteen years old, with dark olive skin, large dusky eyes, and think, low-growing, blue- black hair, he might have made his living as an artist's model. As a matter of fact he did. The bowl of beaten brass that he produced for the reception of his purchases was distinctly the most astonishing variation on the string bag or marketing basket of suburban civilisation that his fellow-shoppers had ever seen. He threw a gold piece, apparently of some exotic currency, across the counter, and did not seem disposed to wait for any change that might be forthcoming.

"The wine and figs were not paid for yesterday," he said; "keep what is over of the money for our future purchases."

"A very strange-looking boy?" said Mrs. Greyes interrogatively to the grocer as soon as his customer had left.

"A foreigner, I believe," said Mr. Scarrick, with a shortness that was entirely out of keeping with his usually communicative manner.

"I wish for a pound and a half of the best coffee you have," said an authoritative voice a moment or two later. The speaker was a tall, authoritative-looking man of rather outlandish aspect, remarkable among other things for a full black beard, worn in a style more in vogue in early Assyria than in a London suburb of the present day.

"Has a dark-faced boy been here buying pomegranates?" he asked suddenly, as the coffee was being weighed out to him.

The two ladies almost jumped on hearing the grocer reply with an unblushing negative.

"We have a few pomegranates in stock," he continued, "but there has been no demand for them."

"My servant will fetch the coffee as usual," said the purchaser, producing a coin from a wonderful metal-work purse. As an apparent afterthought he fired out the question: "Have you, perhaps, any quail seed?"

"No," said the grocer, without hesitation, "we don't stock it."

"What will he deny next?" asked Mrs. Greyes under her breath. What made it seem so much worse was the fact that Mr. Scarrick had quite recently presided at a lecture on Savonarola.

Turning up the deep astrachan collar of his long coat, the stranger swept out of the shop, with the air, Miss Fritten afterwards described it, of a Satrap proroguing a Sanhedrim. Whether such a pleasant function ever fell to a Satrap's lot she was not quite certain, but the simile faithfully conveyed her meaning to a large circle of acquaintances.

"Don't let's bother about the 3.12," said Mrs. Greyes; "let's go and talk this over at Laura Lipping's. It's her day."

When the dark-faced boy arrived at the shop next day with his brass marketing bowl there was quite a fair gathering of customers, most of whom seemed to be spinning out their purchasing operations with the air of people who had very little to do with their time. In a voice that was heard all over the shop, perhaps because everybody was intently listening, he asked for a pound of honey and a packet of quail seed.

"More quail seed!" said Miss Fritten. "Those quails must be voracious, or else it isn't quail seed at all."

"I believe it's opium, and the bearded man is a detective," said Mrs. Greyes brilliantly.

"I don't," said Laura Lipping; "I'm sure it's something to do with the Portuguese Throne."

"More likely to be a Persian intrigue on behalf of the ex-Shah," said Miss Fritten; "the bearded man belongs to the Government Party. The quail-seed is a countersign, of course; Persia is almost next door to Palestine, and quails come into the Old Testament, you know."

"Only as a miracle," said her well-informed younger sister; "I've thought all along it was part of a love intrigue."

The boy who had so much interest and speculation centred on him was on the point of departing with his purchases when he was waylaid by Jimmy, the nephew-apprentice, who, from his post at the cheese and bacon counter, commanded a good view of the street.

"We have some very fine Jaffa oranges," he said hurriedly, pointing to a corner where they were stored, behind a high rampart of biscuit tins. There was evidently more in the remark than met the ear. The boy flew at the oranges with the enthusiasm of a ferret finding a rabbit family at home after a long day of fruitless subterranean research. Almost at the same moment the bearded stranger stalked into the shop, and flung an order for a pound of dates and a tin of the best Smyrna halva across the counter. The most adventurous housewife in the locality had never heard of halva, but Mr. Scarrick was apparently able to produce the best Smyrna variety of it without a moment's hesitation.

"We might be living in the Arabian Nights," said Miss Fritten, excitedly.

"Hush! Listen," beseeched Mrs. Greyes.

"Has the dark-faced boy, of whom I spoke yesterday, been here to- day?" asked the stranger.

"We've had rather more people than usual in the shop to-day," said Mr. Scarrick, "but I can't recall a boy such as you describe."

Mrs. Greyes and Miss Fritten looked round triumphantly at their friends. It was, of course, deplorable that any one should treat the truth as an article temporarily and excusably out of stock, but they felt gratified that the vivid accounts they had given of Mr. Scarrick's traffic in falsehoods should receive confirmation at first hand.

"I shall never again be able to believe what he tells me about the absence of colouring matter in the jam," whispered an aunt of Mrs. Greyes tragically.

The mysterious stranger took his departure; Laura Lipping distinctly saw a snarl of baffled rage reveal itself behind his heavy moustache and upturned astrachan collar. After a cautious interval the seeker after oranges emerged from behind the biscuit tins, having apparently failed to find any individual orange that satisfied his requirements. He, too, took his departure, and the shop was slowly emptied of its parcel and gossip laden customers. It was Emily Yorling's "day", and most of the shoppers made their way to her drawing-room. To go direct from a shopping expedition to a tea party was what was known locally as "living in a whirl".

Two extra assistants had been engaged for the following afternoon, and their services were in brisk demand; the shop was crowded. People bought and bought, and never seemed to get to the end of their lists. Mr. Scarrick had never had so little difficulty in persuading customers to embark on new experiences in grocery wares. Even those women whose purchases were of modest proportions dawdled over them as though they had brutal, drunken husbands to go home to. The afternoon had dragged uneventfully on, and there was a distinct buzz of unpent excitement when a dark-eyed boy carrying a brass bowl entered the shop. The excitement seemed to have communicated itself to Mr. Scarrick; abruptly deserting a lady who was making insincere inquiries about the home life of the Bombay duck, he intercepted the newcomer on his way to the accustomed counter and informed him, amid a deathlike hush, that he had run out of quail seed.

The boy looked nervously round the shop, and turned hesitatingly to go. He was again intercepted, this time by the nephew, who darted out from behind his counter and said something about a better line of oranges. The boy's hesitation vanished; he almost scuttled into the obscurity of the orange corner. There was an expectant turn of public attention towards the door, and the tall, bearded stranger made a really effective entrance. The aunt of Mrs. Greyes declared afterwards that she found herself sub-consciously repeating "The Assyrian came down like a wolf on the fold" under her breath, and she was generally believed.

The newcomer, too, was stopped before he reached the counter, but not by Mr. Scarrick or his assistant. A heavily veiled lady, whom no one had hitherto noticed, rose languidly from a seat and greeted him in a clear, penetrating voice.

"Your Excellency does his shopping himself?" she said.

"I order the things myself," he explained; "I find it difficult to make my servants understand."

In a lower, but still perfectly audible, voice the veiled lady gave him a piece of casual information.

"They have some excellent Jaffa oranges here." Then with a tinkling laugh she passed out of the shop.

The man glared all round the shop, and then, fixing his eyes instinctively on the barrier of biscuit tins, demanded loudly of the grocer: "You have, perhaps, some good Jaffa oranges?"

Every one expected an instant denial on the part of Mr. Scarrick of any such possession. Before he could answer, however, the boy had broken forth from his sanctuary. Holding his empty brass bowl before him he passed out into the street. His face was variously described afterwards as masked with studied indifference, overspread with ghastly pallor, and blazing with defiance. Some said that his teeth chattered, others that he went out whistling the Persian National Hymn. There was no mistaking, however, the effect produced by the encounter on the man who had seemed to force it. If a rabid dog or a rattlesnake had suddenly thrust its companionship on him he could scarcely have displayed a greater access of terror. His air of authority and assertiveness had gone, his masterful stride had given way to a furtive pacing to and fro, as of an animal seeking an outlet for escape. In a dazed perfunctory manner, always with his eyes turning to watch the shop entrance, he gave a few random orders, which the grocer made a show of entering in his book. Now and then he walked out into the street, looked anxiously in all directions, and hurried back to keep up his pretence of shopping. From one of these sorties he did not return; he had dashed away into the dusk, and neither he nor the dark-faced boy nor the veiled lady were seen again by the expectant crowds that continued to throng the Scarrick establishment for days to come.

* * *

"I can never thank you and your sister sufficiently," said the grocer.

"We enjoyed the fun of it," said the artist modestly, "and as for the model, it was a welcome variation on posing for hours for 'The Lost Hylas'."

"At any rate," said the grocer, "I insist on paying for the hire of the black beard."

ON APPROVAL

ON APPROVAL

by Saki (H. H. Munro)


OF all the genuine Bohemians who strayed from time to time into the would-be Bohemian circle of the Restaurant Nuremberg, Owl Street, Soho, none was more interesting and more elusive than Gebhard Knopfschrank. He had no friends, and though he treated all the restaurant frequenters as acquaintances he never seemed to wish to carry the acquaintanceship beyond the door that led into Owl Street and the outer world. He dealt with them all rather as a market woman might deal with chance passers-by, exhibiting her wares and chattering about the weather and the slackness of business, occasionally about rheumatism, but never showing a desire to penetrate into their daily lives or to dissect their ambitions.

He was understood to belong to a family of peasant farmers, somewhere in Pomerania; some two years ago, according to all that was known of him, he had abandoned the labours and responsibilities of swine tending and goose rearing to try his fortune as an artist in London.

"Why London and not Paris or Munich?" he had been asked by the curious.

Well, there was a ship that left Stolpmunde for London twice a month, that carried few passengers, but carried them cheaply; the railway fares to Munich or Paris were not cheap. Thus it was that he came to select London as the scene of his great adventure.

The question that had long and seriously agitated the frequenters of the Nuremberg was whether this goose- boy migrant was really a soul-driven genius, spreading his wings to the light, or merely an enterprising young man who fancied he could paint and was pardonably anxious to escape from the monotony of rye bread diet and the sandy, swine-bestrewn plains of Pomerania. There was reasonable ground for doubt and caution; the artistic groups that foregathered at the little restaurant contained so many young women with short hair and so many young men with long hair, who supposed themselves to be abnormally gifted in the domain of music, poetry, painting, or stagecraft, with little or nothing to support the supposition, that a self-announced genius of any sort in their midst was inevitably suspect. On the other hand, there was the ever-imminent danger of entertaining, and snubbing, an angel unawares. There had been the lamentable case of Sledonti, the dramatic poet, who had been belittled and cold-shouldered in the Owl Street hall of judgment, and had been afterwards hailed as a master singer by the Grand Duke Constantine Constantinovitch - "the most educated of the Romanoffs," according to Sylvia Strubble, who spoke rather as one who knew every individual member of the Russian imperial family; as a matter of fact, she knew a newspaper correspondent, a young man who ate BORTSCH with the air of having invented it. Sledonti's "Poems of Death and Passion" were now being sold by the thousand in seven European languages, and were about to be translated into Syrian, a circumstance which made the discerning critics of the Nuremberg rather shy of maturing their future judgments too rapidly and too irrevocably.

As regards Knopfschrank's work, they did not lack opportunity for inspecting and appraising it. However resolutely he might hold himself aloof from the social life of his restaurant acquaintances, he was not minded to hide his artistic performances from their inquiring gaze. Every evening, or nearly every evening, at about seven o'clock, he would make his appearance, sit himself down at his accustomed table, throw a bulky black portfolio on to the chair opposite him, nod round indiscriminately at his fellow-guests, and commence the serious business of eating and drinking. When the coffee stage was reached he would light a cigarette, draw the portfolio over to him, and begin to rummage among its contents. With slow deliberation he would select a few of his more recent studies and sketches, and silently pass them round from table to table, paying especial attention to any new diners who might be present. On the back of each sketch was marked in plain figures the announcement "Price ten shillings."

If his work was not obviously stamped with the hall- mark of genius, at any rate it was remarkable for its choice of an unusual and unvarying theme. His pictures always represented some well-known street or public place in London, fallen into decay and denuded of its human population, in the place of which there roamed a wild fauna, which, from its wealth of exotic species, must have originally escaped from Zoological Gardens and travelling beast shows. "Giraffes drinking at the fountain pools, Trafalgar Square," was one of the most notable and characteristic of his studies, while even more sensational was the gruesome picture of "Vultures attacking dying camel in Upper Berkeley Street." There were also photographs of the large canvas on which he had been engaged for some months, and which he was now endeavouring to sell to some enterprising dealer or adventurous amateur. The subject was "Hyaenas asleep in Euston Station," a composition that left nothing to be desired in the way of suggesting unfathomed depths of desolation.

"Of course it may be immensely clever, it may be something epoch-making in the realm of art," said Sylvia Strubble to her own particular circle of listeners, "but, on the other hand, it may be merely mad. One mustn't pay too much attention to the commercial aspect of the case, of course, but still, if some dealer would make a bid for that hyaena picture, or even for some of the sketches, we should know better how to place the man and his work."

"We may all be cursing ourselves one of these days," said Mrs. Nougat-Jones, "for not having bought up his entire portfolio of sketches. At the same time, when there is so much real talent going about, one does not feel like planking down ten shillings for what looks like a bit of whimsical oddity. Now that picture that he showed us last week, 'Sand-grouse roosting on the Albert Memorial,' was very impressive, and of course I could see there was good workmanship in it and breadth of treatment; but it didn't in the least convey the Albert Memorial to me, and Sir James Beanquest tells me that sand-grouse don't roost, they sleep on the ground."

Whatever talent or genius the Pomeranian artist might possess, it certainly failed to receive commercial sanction. The portfolio remained bulky with unsold sketches, and the "Euston Siesta," as the wits of the Nuremberg nicknamed the large canvas, was still in the market. The outward and visible signs of financial embarrassment began to be noticeable; the half-bottle of cheap claret at dinner-time gave way to a small glass of lager, and this in turn was displaced by water. The one- and-sixpenny set dinner receded from an everyday event to a Sunday extravagance; on ordinary days the artist contented himself with a sevenpenny omelette and some bread and cheese, and there were evenings when he did not put in an appearance at all. On the rare occasions when he spoke of his own affairs it was observed that he began to talk more about Pomerania and less about the great world of art.

"It is a busy time there now with us," he said wistfully; "the schwines are driven out into the fields after harvest, and must be looked after. I could be helping to look after if I was there. Here it is difficult to live; art is not appreciate."

"Why don't you go home on a visit?" some one asked tactfully.

"Ah, it cost money! There is the ship passage to Stolpmunde, and there is money that I owe at my lodgings. Even here I owe a few schillings. If I could sell some of my sketches - "

"Perhaps," suggested Mrs. Nougat-Jones, "if you were to offer them for a little less, some of us would be glad to buy a few. Ten shillings is always a consideration, you know, to people who are not over well off. Perhaps if you were to ask six or seven shillings - "

Once a peasant, always a peasant. The mere suggestion of a bargain to be struck brought a twinkle of awakened alertness into the artist's eyes, and hardened the lines of his mouth.

"Nine schilling nine pence each," he snapped, and seemed disappointed that Mrs. Nougat-Jones did not pursue the subject further. He had evidently expected her to offer seven and fourpence.

The weeks sped by, and Knopfschrank came more rarely to the restaurant in Owl Street, while his meals on those occasions became more and more meagre. And then came a triumphal day, when he appeared early in the evening in a high state of elation, and ordered an elaborate meal that scarcely stopped short of being a banquet. The ordinary resources of the kitchen were supplemented by an imported dish of smoked goosebreast, a Pomeranian delicacy that was luckily procurable at a firm of DELIKATESSEN merchants in Coventry Street, while a long-necked bottle of Rhine wine gave a finishing touch of festivity and good cheer to the crowded table.

"He has evidently sold his masterpiece," whispered Sylvia Strubble to Mrs. Nougat-Jones, who had come in late.

"Who has bought it?" she whispered back.

"Don't know; he hasn't said anything yet, but it must be some American. Do you see, he has got a little American flag on the dessert dish, and he has put pennies in the music box three times, once to play the 'Star- spangled Banner,' then a Sousa march, and then the 'Star- spangled Banner' again. It must be an American millionaire, and he's evidently got a very big price for it; he's just beaming and chuckling with satisfaction."

"We must ask him who has bought it," said Mrs. Nougat-Jones.

"Hush! no, don't. Let's buy some of his sketches, quick, before we are supposed to know that he's famous; otherwise he'll be doubling the prices. I am so glad he's had a success at last. I always believed in him, you know."

For the sum of ten shillings each Miss Strubble acquired the drawings of the camel dying in Upper Berkeley Street and of the giraffes quenching their thirst in Trafalgar Square; at the same price Mrs. Nougat-Jones secured the study of roosting sand-grouse. A more ambitious picture, "Wolves and wapiti fighting on the steps of the Athenaeum Club," found a purchaser at fifteen shillings.

"And now what are your plans?" asked a young man who contributed occasional paragraphs to an artistic weekly.

"I go back to Stolpmunde as soon as the ship sails," said the artist, "and I do not return. Never."

"But your work? Your career as painter?"

"Ah, there is nossing in it. One starves. Till to- day I have sold not one of my sketches. To-night you have bought a few, because I am going away from you, but at other times, not one."

"But has not some American - ?"

"Ah, the rich American," chuckled the artist. "God be thanked. He dash his car right into our herd of schwines as they were being driven out to the fields. Many of our best schwines he killed, but he paid all damages. He paid perhaps more than they were worth, many times more than they would have fetched in the market after a month of fattening, but he was in a hurry to get on to Dantzig.

When one is in a hurry one must pay what one is asked. God be thanked for rich Americans, who are always in a hurry to get somewhere else. My father and mother, they have now so plenty of money; they send me some to pay my debts and come home. I start on Monday for Stolpmunde and I do not come back. Never."

"But your picture, the hyaenas?"

"No good. It is too big to carry to Stolpmunde. I burn it."

In time he will be forgotten, but at present Knopfschrank is almost as sore a subject as Sledonti with some of the frequenters of the Nuremberg Restaurant, Owl Street, Soho.

MRS. PACKLETIDE'S TIGER

MRS. PACKLETIDE'S TIGER

by Saki (H. H. Munro)


It was Mrs. Packletide's pleasure and intention that she should shoot a tiger. Not that the lust to kill had suddenly descended on her, or that she felt that she would leave India safer and more wholesome than she had found it, with one fraction less of wild beast per million of inhabitants. The compelling motive for her sudden deviation towards the footsteps of Nimrod was the fact that Loona Bimberton had recently been carried eleven miles in an aeroplane by an Algerian aviator, and talked of nothing else; only a personally procured tiger-skin and a heavy harvest of Press photographs could successfully counter that sort of thing. Mrs. Packletide had already arranged in her mind the lunch she would give at her house in Curzon Street, ostensibly in Loona Bimberton's honour, with a tiger-skin rug occupying most of the foreground and all of the conversation. She had also already designed in her mind the tiger-claw brooch that she was going to give Loona Bimberton on her next birthday. In a world that is supposed to be chiefly swayed by hunger and by love Mrs. Packletide was an exception; her movements and motives were largely governed by dislike of Loona Bimberton.

Circumstances proved propitious. Mrs. Packletide had offered a thousand rupees for the opportunity of shooting a tiger without overmuch risk or exertion, and it so happened that a neighbouring village could boast of being the favoured rendezvous of an animal of respectable antecedents, which had been driven by the increasing infirmities of age to abandon game-killing and confine its appetite to the smaller domestic animals. The prospect of earning the thousand rupees had stimulated the sporting and commercial instinct of the villagers; children were posted night and day on the outskirts of the local jungle to head the tiger back in the unlikely event of his attempting to roam away to fresh hunting-grounds, and the cheaper kinds of goats were left about with elaborate carelessness to keep him satisfied with his present quarters. The one great anxiety was lest he should die of old age before the date appointed for the memsahib's shoot. Mothers carrying their babies home through the jungle after the day's work in the fields hushed their singing lest they might curtail the restful sleep of the venerable herd-robber.

The great night duly arrived, moonlit and cloudless. A platform had been constructed in a comfortable and conveniently placed tree, and thereon crouched Mrs. Packletide and her paid companion, Miss Mebbin. A goat, gifted with a particularly persistent bleat, such as even a partially deaf tiger might be reasonably expected to hear on a still night, was tethered at the correct distance. With an accurately sighted rifle and a thumbnail pack of patience cards the sportswoman awaited the coming of the quarry.

"I suppose we are in some danger?" said Miss Mebbin.

She was not actually nervous about the wild beast, but she had a morbid dread of performing an atom more service than she had been paid for.

"Nonsense," said Mrs. Packletide; "it's a very old tiger. It couldn't spring up here even if it wanted to."

"If it's an old tiger I think you ought to get it cheaper. A thousand rupees is a lot of money."

Louisa Mebbin adopted a protective elder-sister attitude towards money in general, irrespective of nationality or denomination. Her energetic intervention had saved many a rouble from dissipating itself in tips in some Moscow hotel, and francs and centimes clung to her instinctively under circumstances which would have driven them headlong from less sympathetic hands. Her speculations as to the market depreciation of tiger remnants were cut short by the appearance on the scene of the animal itself. As soon as it caught sight of the tethered goat it lay flat on the earth, seemingly less from a desire to take advantage of all available cover than for the purpose of snatching a short rest before commencing the grand attack.

"I believe it's ill," said Louisa Mebbin, loudly in Hindustani, for the benefit of the village headman, who was in ambush in a neighbouring tree.

"Hush!" said Mrs. Packletide, and at that moment the tiger commenced ambling towards his victim.

"Now, now!" urged Miss Mebbin with some excitement; "if he doesn't touch the goat we needn't pay for it." (The bait was an extra.)

The rifle flashed out with a loud report, and the great tawny beast sprang to one side and then rolled over in the stillness of death. In a moment a crowd of excited natives had swarmed on to the scene, and their shouting speedily carried the glad news to the village, where a thumping of tom-toms took up the chorus of triumph. And their triumph and rejoicing found a ready echo in the heart of Mrs. Packletide; already that luncheon-party in Curzon Street seemed immeasurably nearer.

It was Louisa Mebbin who drew attention to the fact that the goat was in death-throes from a mortal bullet-wound, while no trace of the rifle's deadly work could be found on the tiger. Evidently the wrong animal had been hit, and the beast of prey had succumbed to heart-failure, caused by the sudden report of the rifle, accelerated by senile decay. Mrs. Packletide was pardonably annoyed at the discovery; but, at any rate, she was the possessor of a dead tiger, and the villagers, anxious for their thousand rupees, gladly connived at the fiction that she had shot the beast. And Miss Mebbin was a paid companion. Therefore did Mrs. Packletide face the cameras with a light heart, and her pictured fame reached from the pages of the TEXAS WEEKLY SNAPSHOT to the illustrated Monday supplement of the NOVOE VREMYA. As for Loona Bimberton, she refused to look at an illustrated paper for weeks, and her letter of thanks for the gift of a tiger-claw brooch was a model of repressed emotions. The luncheon-party she declined; there are limits beyond which repressed emotions become dangerous.

From Curzon Street the tiger-skin rug travelled down to the Manor House, and was duly inspected and admired by the county, and it seemed a fitting and appropriate thing when Mrs. Packletide went to the County Costume Ball in the character of Diana. She refused to fall in, however, with Clovis's tempting suggestion of a primeval dance party, at which every one should wear the skins of beasts they had recently slain. "I should be in rather a Baby Bunting condition," confessed Clovis, "with a miserable rabbit- skin or two to wrap up in, but then," he added, with a rather malicious glance at Diana's proportions, "my figure is quite as good as that Russian dancing boy's."

"How amused every one would be if they knew what really happened," said Louisa Mebbin a few days after the ball.

"What do you mean?" asked Mrs. Packletide quickly.

"How you shot the goat and frightened the tiger to death," said Miss Mebbin, with her disagreeably pleasant laugh.

"No one would believe it," said Mrs. Packletide, her face changing colour as rapidly as though it were going through a book of patterns before post-time.

"Loona Bimberton would," said Miss Mebbin. Mrs. Packletide's face settled on an unbecoming shade of greenish white.

"You surely wouldn't give me away?" she asked.

"I've seen a week-end cottage near Dorking that I should rather like to buy," said Miss Mebbin with seeming irrelevance. "Six hundred and eighty, freehold. Quite a bargain, only I don't happen to have the money."

. . . . . . . . .

Louisa Mebbin's pretty week-end cottage, christened by her "Les Fauves," and gay in summertime with its garden borders of tiger- lilies, is the wonder and admiration of her friends.

"It is a marvel how Louisa manages to do it," is the general verdict.

Mrs. Packletide indulges in no more big-game shooting.

"The incidental expenses are so heavy," she confides to inquiring friends.

MORLVERA

MORLVERA

by Saki (H. H. Munro)


The Olympic Toy Emporium occupied a conspicuous frontage in an important West End street. It was happily named Toy Emporium, because one would never have dreamed of according it the familiar and yet pulse-quickening name of toyshop. There was an air of cold splendour and elaborate failure about the wares that were set out in its ample windows; they were the sort of toys that a tired shop- assistant displays and explains at Christmas time to exclamatory parents and bored, silent children. The animal toys looked more like natural history models than the comfortable, sympathetic companions that one would wish, at a certain age, to take to bed with one, and to smuggle into the bath-room. The mechanical toys incessantly did things that no one could want a toy to do more than a half a dozen times in its life-time; it was a merciful reflection that in any right-minded nursery the lifetime would certainly be short.

Prominent among the elegantly-dressed dolls that filled an entire section of the window frontage was a large hobble-skirted lady in a confection of peach-coloured velvet, elaborately set off with leopard skin accessories, if one may use such a conveniently comprehensive word in describing an intricate feminine toilette. She lacked nothing that is to be found in a carefully detailed fashion-plate--in fact, she might be said to have something more than the average fashion-plate female possesses; in place of a vacant, expressionless stare she had character in her face. It must be admitted that it was bad character, cold, hostile, inquisitorial, with a sinister lowering of one eyebrow and a merciless hardness about the corners of the mouth. One might have imagined histories about her by the hour, histories in which unworthy ambition, the desire for money, and an entire absence of all decent feeling would play a conspicuous part.

As a matter of fact, she was not without her judges and biographers, even in this shop-window stage of her career. Emmeline, aged ten, and Bert, aged seven, had halted on the way from their obscure back street to the minnow-stocked water of St. James's Park, and were critically examining the hobble-skirted doll, and dissecting her character in no very tolerant spirit. There is probably a latent enmity between the necessarily under-clad and the unnecessarily over-dressed, but a little kindness and good fellowship on the part of the latter will often change the sentiment to admiring devotion; if the lady in peach-coloured velvet and leopard skin had worn a pleasant expression in addition to her other elaborate furnishings, Emmeline at least might have respected and even loved her. As it was, she gave her a horrible reputation, based chiefly on a secondhand knowledge of gilded depravity derived from the conversation of those who were skilled in the art of novelette reading; Bert filled in a few damaging details from his own limited imagination.

"She's a bad lot, that one is," declared Emmeline, after a long unfriendly stare; "'er 'usbind 'ates 'er."

"'E knocks 'er abart," said Bert, with enthusiasm.

"No, 'e don't, cos 'e's dead; she poisoned 'im slow and gradual, so that nobody didn't know. Now she wants to marry a lord, with 'eaps and 'eaps of money. 'E's got a wife already, but she's going to poison 'er, too."

"She's a bad lot," said Bert with growing hostility.

"'Er mother 'ates her, and she's afraid of 'er, too, cos she's got a serkestic tongue; always talking serkesms, she is. She's greedy, too; if there's fish going, she eats 'er own share and 'er little girl's as well, though the little girl is dellikit."

"She 'ad a little boy once," said Bert, "but she pushed 'im into the water when nobody wasn't looking."

"No she didn't," said Emmeline, "she sent 'im away to be kep' by poor people, so 'er 'usbind wouldn't know where 'e was. They ill- treat 'im somethink cruel."

"Wot's 'er nime?" asked Bert, thinking that it was time that so interesting a personality should be labelled.

"'Er nime?" said Emmeline, thinking hard, "'er nime's Morlvera." It was as near as she could get to the name of an adventuress who figured prominently in a cinema drama. There was silence for a moment while the possibilities of the name were turned over in the children's minds.

"Those clothes she's got on ain't paid for, and never won't be," said Emmeline; "she thinks she'll get the rich lord to pay for 'em, but 'e won't. 'E's given 'er jools, 'underds of pounds' worth."

"'E won't pay for the clothes," said Bert, with conviction. Evidently there was some limit to the weak good nature of wealthy lords.

At that moment a motor carriage with liveried servants drew up at the emporium entrance; a large lady, with a penetrating and rather hurried manner of talking, stepped out, followed slowly and sulkily by a small boy, who had a very black scowl on his face and a very white sailor suit over the rest of him. The lady was continuing an argument which had probably commenced in Portman Square.

"Now, Victor, you are to come in and buy a nice doll for your cousin Bertha. She gave you a beautiful box of soldiers on your birthday, and you must give her a present on hers."

"Bertha is a fat little fool," said Victor, in a voice that was as loud as his mother's and had more assurance in it.

"Victor, you are not to say such things. Bertha is not a fool, and she is not in the least fat. You are to come in and choose a doll for her."

The couple passed into the shop, out of view and hearing of the two back-street children.

"My, he is in a wicked temper," exclaimed Emmeline, but both she and Bert were inclined to side with him against the absent Bertha, who was doubtless as fat and foolish as he had described her to be.

"I want to see some dolls," said the mother of Victor to the nearest assistant; "it's for a little girl of eleven."

"A fat little girl of eleven," added Victor by way of supplementary information.

"Victor, if you say such rude things about your cousin, you shall go to bed the moment we get home, without having any tea."

"This is one of the newest things we have in dolls," said the assistant, removing a hobble-skirted figure in peach-coloured velvet from the window; "leopard skin toque and stole, the latest fashion. You won't get anything newer than that anywhere. It's an exclusive design."

"Look!" whispered Emmeline outside; "they've bin and took Morlvera."

There was a mingling of excitement and a certain sense of bereavement in her mind; she would have liked to gaze at that embodiment of overdressed depravity for just a little longer.

"I 'spect she's going away in a kerridge to marry the rich lord," hazarded Bert.

"She's up to no good," said Emmeline vaguely.

Inside the shop the purchase of the doll had been decided on.

"It's a beautiful doll, and Bertha will be delighted with it," asserted the mother of Victor loudly.

"Oh, very well," said Victor sulkily; "you needn't have it stuck into a box and wait an hour while it's being done up into a parcel. I'll take it as it is, and we can go round to Manchester Square and give it to Bertha, and get the thing done with. That will save me the trouble of writing: 'For dear Bertha, with Victor's love,' on a bit of paper."

"Very well," said his mother, "we can go to Manchester Square on our way home. You must wish her many happy returns of to-morrow, and give her the doll."

"I won't let the little beast kiss me," stipulated Victor.

His mother said nothing; Victor had not been half as troublesome as she had anticipated. When he chose he could really be dreadfully naughty.

Emmeline and Bert were just moving away from the window when Morlvera made her exit from the shop, very carefully in Victor's arms. A look of sinister triumph seemed to glow in her hard, inquisitorial face. As for Victor, a certain scornful serenity had replaced the earlier scowls; he had evidently accepted defeat with a contemptuous good grace.

The tall lady gave a direction to the footman and settled herself in the carriage. The little figure in the white sailor suit clambered in beside her, still carefully holding the elegantly garbed doll.

The car had to be backed a few yards in the process of turning. Very stealthily, very gently, very mercilessly Victor sent Morlvera flying over his shoulder, so that she fell into the road just behind the retrogressing wheel. With a soft, pleasant-sounding scrunch the car went over the prostrate form, then it moved forward again with another scrunch. The carriage moved off and left Bert and Emmeline gazing in scared delight at a sorry mess of petrol-smeared velvet, sawdust, and leopard skin, which was all that remained of the hateful Morlvera. They gave a shrill cheer, and then raced away shuddering from the scene of so much rapidly enacted tragedy.

Later that afternoon, when they were engaged in the pursuit of minnows by the waterside in St. James's Park, Emmeline said in a solemn undertone to Bert -

"I've bin finking. Do you know oo 'e was? 'E was 'er little boy wot she'd sent away to live wiv poor folks. 'E come back and done that."

MARK

MARK

by Saki (H. H. Munro)


Augustus Mellowkent was a novelist with a future; that is to say, a limited but increasing number of people read his books, and there seemed good reason to suppose that if he steadily continued to turn out novels year by year a progressively increasing circle of readers would acquire the Mellowkent habit, and demand his works from the libraries and bookstalls. At the instigation of his publisher he had discarded the baptismal Augustus and taken the front name of Mark.

"Women like a name that suggests some one strong and silent, able but unwilling to answer questions. Augustus merely suggests idle splendour, but such a name as Mark Mellowkent, besides being alliterative, conjures up a vision of some one strong and beautiful and good, a sort of blend of Georges Carpentier and the Reverend What's-his-name."

One morning in December Augustus sat in his writing-room, at work on the third chapter of his eighth novel. He had described at some length, for the benefit of those who could not imagine it, what a rectory garden looks like in July; he was now engaged in describing at greater length the feelings of a young girl, daughter of a long line of rectors and archdeacons, when she discovers for the first time that the postman is attractive.

"Their eyes met, for a brief moment, as he handed her two circulars and the fat wrapper-bound bulk of the East Essex News. Their eyes met, for the merest fraction of a second, yet nothing could ever be quite the same again. Cost what it might she felt that she must speak, must break the intolerable, unreal silence that had fallen on them. 'How is your mother's rheumatism?' she said."

The author's labours were cut short by the sudden intrusion of a maidservant.

"A gentleman to see you, sir," said the maid, handing a card with the name Caiaphas Dwelf inscribed on it; "says it's important."

Mellowkent hesitated and yielded; the importance of the visitor's mission was probably illusory, but he had never met any one with the name Caiaphas before. It would be at least a new experience.

Mr. Dwelf was a man of indefinite age; his high, narrow forehead, cold grey eyes, and determined manner bespoke an unflinching purpose. He had a large book under his arm, and there seemed every probability that he had left a package of similar volumes in the hall. He took a seat before it had been offered him, placed the book on the table, and began to address Mellowkent in the manner of an "open letter."

"You are a literary man, the author of several well-known books--"

"I am engage on a book at the present moment--rather busily engaged," said Mellowkent, pointedly.

"Exactly," said the intruder; "time with you is a commodity of considerable importance. Minutes, even, have their value."

"They have," agreed Mellowkent, looking at his watch.

"That," said Caiaphas, "is why this book that I am introducing to your notice is not a book that you can afford to be without. 'Right Here' is indispensable for the writing man; it is no ordinary encyclopaedia, or I should not trouble to show it to you. It is an inexhaustible mine of concise information--"

"On a shelf at my elbow," said the author, "I have a row of reference books that supply me with all the information I am likely to require."

"Here," persisted the would-be salesman, "you have it all in one compact volume. No matter what the subject may be which you wish to look up, or the fact you desire to verify, 'Right Here' gives you all that you want to know in the briefest and most enlightening form. Historical reference, for instance; career of John Huss, let us say. Here we are: 'Huss, John, celebrated religious reformer. Born 1369, burned at Constance 1415. The Emperor Sigismund universally blamed.'"

"If he had been burnt in these days every one would have suspected the Suffragettes," observed Mellowkent.

"Poultry-keeping, now," resumed Caiaphas, "that's a subject that might crop up in a novel dealing with English country life. Here we have all about it: 'The Leghorn as egg-producer. Lack of maternal instinct in the Minorca. Gapes in chickens, its cause and cure. Ducklings for the early market, how fattened.' There, you see, there it all is, nothing lacking."

"Except the maternal instinct in the Minorca, and that you could hardly be expected to supply."

"Sporting records, that's important, too; now how many men, sporting men even, are there who can say off-hand what horse won the Derby in any particular year? Now it's just a little thing of that sort--"

"My dear sir," interrupted Mellowkent, "there are at least four men in my club who can not only tell me what horse won in any given year, but what horse ought to have won and why it didn't. If your book could supply a method for protecting one from information of that sort it would do more than anything you have yet claimed for it."

"Geography," said Caiaphas, imperturbably; "that's a thing that a busy man, writing at high pressure, may easily make a slip over. Only the other day a well-known author made the Volga flow into the Black Sea instead of the Caspian; now, with this book--"

"On a polished rose-wood stand behind you there reposes a reliable and up-to-date atlas," said Mellowkent; "and now I must really ask you to be going."

"An atlas," said Caiaphas, "gives merely the chart of the river's course, and indicates the principal towns that it passes. Now Right Here gives you the scenery, traffic, ferry-boat charges, the prevalent types of fish, boatmen's slang terms, and hours of sailing of the principal river steamers. If gives you--"

Mellowkent sat and watched the hard-featured, resolute, pitiless salesman, as he sat doggedly in the chair wherein he had installed himself, unflinchingly extolling the merits of his undesired wares. A spirit of wistful emulation took possession of the author; why could he not live up to the cold stern name he had adopted? Why must he sit here weakly and listen to this weary, unconvincing tirade, why could he not be Mark Mellowkent for a few brief moments, and meet this man on level terms?

A sudden inspiration flashed across his.

"Have you read my last book, The Cageless Linnet?" he asked.

"I don't read novels," said Caiaphas tersely.

"Oh, but you ought to read this one, every one ought to," exclaimed Mellowkent, fishing the book down from a shelf; "published at six shillings, you can have it at four-and-six. There is a bit in chapter five that I feel sure you would like, where Emma is alone in the birch copse waiting for Harold Huntingdon--that is the man her family want her to marry. She really wants to marry him, too, but she does not discover that till chapter fifteen. Listen: 'Far as the eye could stretch rolled the mauve and purple billows of heather, lit up here and there with the glowing yellow of gorse and broom, and edged round with the delicate greys and silver and green of the young birch trees. Tiny blue and brown butterflies fluttered above the fronds of heather, revelling in the sunlight, and overhead the larks were singing as only larks can sing. It was a day when all Nature--"

"In 'Right Here' you have full information on all branches of Nature study," broke in the bookagent, with a tired note sounding in his voice for the first time; "forestry, insect life, bird migration, reclamation of waste lands. As I was saying, no man who has to deal with the varied interests of life--"

"I wonder if you would care for one of my earlier books, The Reluctance of Lady Cullumpton," said Mellowkent, hunting again through the bookshelf; "some people consider it my best novel. Ah, here it is. I see there are one or two spots on the cover, so I won't ask more than three-and-ninepence for it. Do let me read you how it opens:

"'Beatrice Lady Cullumpton entered the long, dimly-lit drawing-room, her eyes blazing with a hope that she guessed to be groundless, her lips trembling with a fear that she could not disguise. In her hand she carried a small fan, a fragile toy of lace and satinwood. Something snapped as she entered the room; she had crushed the fan into a dozen pieces.'

"There, what do you think of that for an opening? It tells you at once that there's something afoot."

"I don't read novels," said Caiaphas sullenly.

"But just think what a resource they are," exclaimed the author, "on long winter evenings, or perhaps when you are laid up with a strained ankle--a thing that might happen to any one; or if you were staying in a house-party with persistent wet weather and a stupid hostess and insufferably dull fellow-guests, you would just make an excuse that you had letters to write, go to your room, light a cigarette, and for three-and-ninepence you could plunge into the society of Beatrice Lady Cullumpton and her set. No one ought to travel without one or two of my novels in their luggage as a stand- by. A friend of mine said only the other day that he would as soon think of going into the tropics without quinine as of going on a visit without a couple of Mark Mellowkents in his kit-bag. Perhaps sensation is more in your line. I wonder if I've got a copy of The Python's Kiss."

Caiaphas did not wait to be tempted with selections from that thrilling work of fiction. With a muttered remark about having no time to waste on monkey-talk, he gathered up his slighted volume and departed. He made no audible reply to Mellowkent's cheerful "Good morning," but the latter fancied that a look of respectful hatred flickered in the cold grey eyes.